Voigtlander Announces 110mm F2.5 Macro & 21mm F3.5 FE Lenses

Voigtlander-110mm-F2-5-Macro-21mm-F3-5

Voigtlander has announced two new lenses in their manual focus fullframe E-mount line-up: APO-Lanthar 110mm F2.5 Macro and Color-Skopar 21mm F3.5 FE Lenses. Like other Voigtlander E-mount lenses, electronic contacts relay EXIF data and to make use of in-camera shooting and focus aids.

Voigtlander MACRO APO-LANTHAR 110mm f/2.5 E-mount ($1,099)

voigtlander-110mm-f2-5-apo-lanthar-macro

APO-Lanter inscription is given to sparticularly high performance Voigtlander Fokentrender lenses. “Medium Telephoto Macro Lens that thoroughly eliminated the impediments of image quality including chromatic aberration”.

It covers fullframe 35mm and is optimized for image sensor of Sony E mount camera and offers macro magnification. By adopting a floating mechanism, it provides excellent image quality from the shortest shooting distance to the distant view.

It features 14 elements in 12 groups with 10 diaphragm blades and a minimum focus distance of 13.62 inches (35 cm). Filter diameter is 58 mm. Aperture click is 1/3 step.

Voigtlander COLOR-SKOPAR 21mm f/3.5 Aspherical E-mount ($699)

voigtlander-21mm-f3-5-color-skopar

A super wide-angle 21mm F3.5 lens is added to the color series of high-performance compact and high performance series. The incident ray angle to the sensor was optimized so as to eliminate the color coverage of the peripheral part peculiar to the digital camera due to the structure of the image pickup element.

It features 9 elements in 8 groups with 10 diaphragm blades and a minimum focus distance of 7.87 inches (20 cm). The filter diameter is 52 mm. Aperture click is 1/3 step.

Order Voigtlander E-mount Lenses from B&H Photo

Apply for B&H Photo Payboo Card

Sony FX3 & FX30 Deals End Sunday!

Published: July 26, 2024 $200 Savings on Sony FX3 & FX30 Cinema Cameras Ends Midnight Sunday, July 28 Order Sony FX3 Cinema Camera from B&H

Read More »
Voigtlander-Nokton-75mm-f1-5-Aspherical-Lens-Order

Voigtlander Nokton 75mm F1.5 Aspherical E-Mount Lens Available for Pre-Order Now

Published: July 17, 2024 Voigtlander Nokton 75mm f/1.5 Aspherical Lens ($899) is a fast aperture, manual focus portrait-Length prime lens for Sony E-mount cameras. Optimized

Read More »
Sony Trade-in Deals Summer 2024

Sony Summer Trade-In Deals

Published: July 14, 2024 Get an extra trade-in bonus in addition to the value of your trade with Sony Trade-In Deals Now through 9/30/24. TRADE-IN

Read More »

10 thoughts on “Voigtlander Announces 110mm F2.5 Macro & 21mm F3.5 FE Lenses”

  1. Pingback: Ultimate Fullframe E-mount FE Lens Guide for Sony a7 & a9 Cameras

    1. I agree that it’s impossible to see that in the photos, however a bit of digging tells me that 1:1 magnification is possible at the 13.62 inches (35 cm) minimum focus distance.

  2. EPIC! The 110mm liveth! Think of it as the Voigtlander 125mm 2.5 back from the dead. It’s a legend reborn.

    Can’t wait to get my hands on it….

  3. Hi Brian,
    I liked the the 110mm F2.5 Macro lens and would like to have your opinion whether to buy this for my next Sony a7III or for my Nikon D5 and use it with Sony with converter?
    Murad

    1. First off, there’s no Sony E > Nikon F converter since it would require locking up Nikon mirror and mounting the lens over one inch inside the body.

      Second, unless you’re in love with manual focus, I’d personally choose the sharpest macro DxO ever tested: FE 90mm F2.8 Macro G OSS

      1. My only issues with the Sony 90 for serious 1:1 macro work are fly by wire focus and every bit of extra working distance and narrower background coverage is welcome. For this reason the Nikon 200mm f/4D with an adapter is still the best solution for serious 1:1 macro work on the Sony system. It is has a mechanical focus ring and an aperture ting like the new Voigtlander and more than double the working distance of the Sony.

      2. I own the Sony 90mm G lens and it is indeed excellent, though Voightlander lenses are in a class by themselves with far superior build quality and overall better microcontrast, color rendition, and “character,” at least IMO. I love both the 40mm 1.2 as well as the 65mm 2.0 for Sony e. Thank you.

Leave a Comment

Your email address will not be published. Required fields are marked *