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Sony FX6 Full-Frame Cinema Camera $5,998 Body Only | $7,198 with 24-105mm G lens was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony’s S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.

Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6″, it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5″ LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.

Versatile Addition to Sony Cinema Line

As part of Sony’s Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices.

Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9:

• It matches the FX9’s video capture up to DCI 4K60
• Has the same S-Cinetone, S-Log3, and HLG gamma choices
• Outputs 16-bit raw like the FX9
• Sony E lens mount
• Offers the same 1/4 to 1/128 ND options
• Also provides 2-channel XLR audio inputs

FX6 differences from the FX9:

• 4K capture vs 6K
• Has a single 12G/6G/3G-SDI BNC port, trimming the FX9’s additional 3G-SDI port
• Incorporates a timecode port but lacks the FX9’s genlock connector

Improved FX6 specs include:

• An ISO range of 320 to 409,600 vs the FX9’s 320 to 102,400 range
• Top frame rates of 120p in 4K and up to 240p in HD vs the FX9’s top 1080p in HD
• Dual card slots compatible with both durable, highly efficient CFexpress Type A or widely available SDXC cards, compared to the FX9’s reliance on proprietary XQD cards and a single SD card option

4K Full-Frame CMOS Exmor R Sensor

The FX6’s 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor’s fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses.

15+ Stops of Dynamic Range

The Exmor R sensor also enables the FX6 to capture a whopping 15+ stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.

Wide ISO Range

Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings.

Electronically Variable ND Filters

Set the FX6’s integrated neutral density (ND) filter system to auto for correctly exposed shots even in changing light conditions, or smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot; both options will produce properly exposed images without affecting your chosen depth of field.

Advanced XAVC Codec Options

The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s.

High Frame Rate Selections

For slow-motion and fast action looks, choose from full-frame rates ranging from:
1-60 fps in HD to DCI 4K resolutions
100 or 120 fps in HD through UHD 4K
150, 180, 200, or 240 fps in Full HD

Super35 choices include:
1-60, 100, and 120 fps in Full HD

Expressive Cinematic Look

Sony’s S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options.

Fast Hybrid/Phase Detection Autofocus

Compatible with 50+ native Sony E-mount lenses, the FX6’s improved autofocus choices include Face Detection and Eye Autofocus modes for rapid focusing with extremely sharp accuracy, even in lower-light settings. The phase detection autofocus accomplishes this accuracy using seven transition-speed steps and five subject-sensitivity.

Image Stabilization and More with Catalyst and Metadata

Pair the FX6 with Sony’s Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in post-production.

Touchscreen 3.5″ LCD Control

The FX6’s 3.5″ LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels.

Reliable Design and Construction

Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera’s dust and moisture resistance as well.

4-Channel Audio Recording

The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera’s top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.

Professional Input/Output Interface

FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.

CFexpress Media Slots and Multiple Recording Modes

The FX6’s dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture.

Modular, Grab-and-Go Design

The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5″ LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.

Content Browser Mobile Compatibility

When used with the separately available Content Browser Mobile app and a compatible smartphone or remote control, the FX6’s Wi-Fi function enables remote monitoring and focus/iris/zoom control.

Sony FX6 Cinema Camera Specs

Image Sensor Size: Full-Frame
Sensor Type: CMOS
Sensor Resolution: Actual: 12.9 MP / Effective 10.2 MP
Color Filter: Bayer
Shutter Type: Rolling Shutter
Native ISOs: 800 (Native) / 12,800 (Expanded)
ISO Range: 320 to 409,600 (Expanded)
Gain: -3 to 30 dB
Advertised Dynamic Range: 15 Stops
Lens Mount: Sony E-Mount
Lens Communication: Yes
Interchangeable Lens Mount: None
Shutter Speed: 1/1 to 1/8000 sec
Built-In ND Filter: 1/4 to 1/128 Stop Electronic ND Filter
Built-In Microphone Type: Stereo
Media/Memory Card Slot: Dual Slot: CFexpress Type A / SD
Variable Frame Rates: DCI 4K: 1 to 60 fps
UHD: 1 Up to 120 fps
1080p: 1 Up to 240 fps
Internal Recording
Recording Modes XAVC-I 4:2:2 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (240 to 600 Mb/s)
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1980p at 23.98/25/29.97/50/59.94 fps (89 to 222 Mb/s)
XAVC-L 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (100 to 150 Mb/s)
XAVC-L 4:2:2 10-Bit:
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (35 to 50 Mb/s)
Gamma Curve: HDR-HLG, S Cinetone, Sony S-Log, Sony S-Log 3
Audio Recording AVC-Intra: 2/4-Channel 24-Bit 48 kHz LPCM Audio
AVC-Long: 2/4-Channel 24-Bit 48 kHz LPCM Audio
Still Image Support Not Specified by Manufacturer
External Recording
Raw Output: SDI/BNC In Raw Mode:
4096 x 2160 16-Bit at 23.98/24/25/29.97/50/59.94 fps
3840 x 2160 16-Bit at 23.98/25/29.97/50/59.94 fps
Video Connectors: 1 x BNC (12G-SDI) Output, 1 x HDMI Output
Audio Connectors: 2 x 3-Pin XLR Mic/Line Level Input
1 x 1/8″ / 3.5 mm Stereo Headphone Output
Other I/O: 1 x BNC Timecode Input/Output
1 x USB Type-C
1 x USB Micro-B
1 x 2.5 mm Control
Wireless Interfaces: 2.4 GHz, 5 GHz Wi-Fi
Display Type: Included External Touchscreen LCD
Size: 3.5″
Resolution: 1280 x 720 (2,760,000 Dot)
EVF: Optional, Not Included
Battery Type: Sony BP-U Series
Power Connectors: 1 x Barrel (19.5 VDC) Input
Power Consumption: 18 W
Operating Temperature: 32 to 104°F / 0 to 40°C
Storage Temperature: -4 to 140°F / -20 to 60°C
Dimensions: 6 x 4.6 x 4.5″ / 153 x 116 x 114 mm (Without Protrusions)
Weight: 2 lb / 890 g

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Order Sony FX6 Full-Frame Cinema Camera from B&H Photo | Adorama

Profoto OCF Adapter ($299) allows you to mount Profoto modifiers on Profoto A1, A1X & A10 flashes. This new adapter allows you to attach any of our wide range of OCF Light Shaping Tools, making it easy for you to shape the light in any way you desire. Simply attach the OCF adapter to your A1, A1X or A10 flash, add the modifier of your choice, and you are ready to start creating. Attach an OCF Softbox for a soft light, bring out the beauty in your model by using the OCF Beauty Dish or use the OCF Magnum Reflector to add maximum power.

Features

• Sturdy and user friendly
• Compatible with all OCF light shaping tools
• Fits with any type of Profoto A series flash
• Easy to bring, mount and use
• Integrated umbrella mount.
• Stand adapter included

Specs

Width: 4.73″ / 120mm
Height: 11.02″ / 280mm
Depth: 3.54″ / 90mm
Weight: 1.65 lb / 750g
Compatible with: Profoto A1, A1X, A10 flashes

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Sony released a7S III Firmware Update 1.02 which fixes FTP Transfer and USB Tethering stability along with improved overall camera stability. For Mac users, I highly recommend updating now as this update will probably not be compatible with MacOS 11.

Benefits and Improvements

• Fixes an issue where FTP transfer could fail when used with some USB-LAN conversion adapters
Note: Not all USB-LAN conversion adaptors are guaranteed to operate properly
• Improves connection stability of USB tethering when using an iPhone
Notes: Currently, the USB tethering function does not support iOS 14
We recommend using a smartphone and USB cable that support USB-PD (USB Power Delivery)
• Improves the overall stability of the camera

Previous Benefits and Improvements

[All Previous Benefits and Improvements are also included in this Update]

File Name

ILCE-7SM3 System Software (Firmware) Update Ver. 1.02

File Version

1.02

Release Date

10-29-2020

h3>Download Links
MAC | WIN

MAC USERS PLEASE NOTE:

The latest Sony Firmware Updates are only compatible with Mac OS 10.13 – 10.15

1. Make sure the camera’s USB Connection is set to Mass Storage

2. WITHOUT CONNECTING THE CAMERA, Click on UpdateSettingTool.

3. Once you see this message, connect the camera.

4. Follow prompts to begin the firmware update. Make certain to follow instructions in the linked post below.

Before Updating Firmware Please Read:

Bulletproof Guide to Sony Camera Firmware Updates

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