Lighting

I’m very excited for the chance to do a completely updated presentation of the ‘Secrets of Great Portrait Photography’ at this year’s PhotoPlus Expo on October 27th in NYC.  PDN’s PhotoPlus Expo is the U.S. version of Photokina – it’s a trade show and learning experience. I’ll pass along all my tips about photographing people and shooting great portraits.We had a full house last year and this year’s talk will be even better with lots of new photos and tips.

Thursday, October 27, 2011 from 1:15 PM to 3:15 PM
Secrets of Great Portrait Photography

Speaker: Brian Smith
sponsored by SONY
Javits Center, 655 West 34th Street, NYC – ROOM 1A23

Seminar Description: Celebrity portrait photographer Brian Smith will share the lessons he’s learned over the past 30 years capturing the faces of the famous, infamous and un-famous as a top magazine portrait photographer. He will discuss his approach to editorial and commercial photography assignments from concept to final images, detailing his approach to lighting and problem solving on productions large and small. He will also share his secrets for working quickly to capture the personality of the people he photographs. Finally, Smith will discuss how personal projects can be used to generate commercial and editorial photography assignments and to allow your personal style to evolve and grow while generating assignments you love to shoot.

Register for PhotoPlus Expo before 10/25 for discounts to seminars and free admission to the tradeshow.

In addition to this seminars, I’ll be speaking and doing shooting demos along with all of the Sony Artisans at the Sony booth on the PhotoPlus Expo trade show floor – Booth 818

Photographer Elliott Erwitt

Photography Legend Elliott Erwitt photographed for 'Art & Soul'

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ASK BRIAN: How do you Light?

by Brian Smith on March 24, 2011

in Ask Brian Smith

Q: I am in love with your Anne Hathaway photo. Is the beauty dish really the only light source in this shot or is there reflector fill underneath? I’m amazed at how even the light is on her face.

A: What’s not to love about Anne Hathaway? She’s a dream to photograph and she has the most expressive eyes I have ever seen. The lighting was quite simple. The key light was a Profoto Beauty Dish from the left with a touch of fill directly behind the camera. I rarely fill from below because I want the chin to fall into shadow. Instead, I try to get the key light in just the right spot. The great thing about simple lighting is that you can forget about the light and just concentrate on interacting with the person in front of your lens and when that person you’ve photographing is Anne, that’s a VERY good thing…

Q: Brian I am Partha from India I am really impressed to see yr works, I think u r very comfortable both indoor & outdoor, I hv few questions to ask re indoor shooting, mainly back drop, lighting setup etc

A: Hello Paratha, Indoors or out, always start with a single light and don’t add another until you’ve gotten every drop of beauty out of that one light.

Q: Brian, do you have a small series of photos that a underfunded college art gallery could have on loan. We can fund shipping and printing for mailers but not much else. We are starved for really good stuff. c. 70 lineal feet. rthomas@virginiawestern.edu. asked by radsue

A: I might have just the thing if you can wait until October: http://amzn.to/saveart

Q: Can I assist for you? asked by jasongrow

A: Only if I can be your official White House Photographer. Ladies and Gentleman, meet my dear friend, former councilman Jason Grow – soon to be the junior Senator from Massachusetts…

 

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Q: I want to get into commercial (stock) photography. need a good reliable studio/portable lighting. What is your recommendation? I’m leaning to Bowens gemini 500 pro. Profoto D1 better and worth the cost? — Shervin

A: There are a lot of great choices on the market. I’ve used Profoto for years mostly because of their vast array of light modifiers (reflectors, grids and umbrellas) allow you to really shape the light. Profoto D1 are a good choice as are Profoto Acutes. I love the Acute B battery packs when there’s no place to plug in. That said, Bowens offers quite a bang for the buck. You might also check out Paul Bluff’s Einstein 640 strobes that made American Photo’s list of ’12 Tools that Changed the Rules.’ Remember, the most important thing is not what light you use, but how you use it. So to get the most out of them, learn what your lights can do.

Ask me anything about Photography!

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COOL GEAR: Profoto ProDaylight HMI is BACK!

by Brian Smith on September 21, 2010

in Gear

Profoto is finally bringing HMIs back into their line-up with the announcement of the ProDaylight 400 Air and ProDaylight 800 Air, Metal Halide based continuous light sources, dedicated to work with most of the existing line of Profoto’s Light Shaping Tools. The powerful Metal Halide lamp provides daylight or color temperature, ideal for photo and video shoots.

Sideview of the new Profoto Pro Daylight HMI

Sideview of the new Profoto Pro Daylight HMI

The new Profoto ProDaylight HMI with zoom reflector

The new Profoto ProDaylight HMI with Profoto zoom reflector

Profoto ProDaylight HMI Flicker-free Ballast

Profoto ProDaylight HMI Flicker-free Ballast

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COOL GEAR: Strobies Flash Modifiers

by Brian Smith on November 30, 2009

in Gear

One of the cool things I came across at this year’s PhotoPlus Expo was this Interfit Strobies Portrait Kit light modifiers for shoe mount flash. The great thing about studio flashes like Profoto is that you have lots of great choices of light modifiers, but most of the modifiers for on-camera flash either look like a Tupperware jar jammed on the end of the flash or are the some form of white card taped to the back of the flash for bounce. Neither option provides for particularly sexy light. The cool thing about Strobies is that somebody finally figured out a way to shrink light modifiers down to size. The kit sells for about $150 or you can buy most of the modifiers indivually for about $30 each. Flex mounts are available for most any kind of shoe mount flash are another seven bucks. The Sony HLV-58AM uses Flex mount SGM400. If you have several brands of flashes, you just buy an extra $7 adapter.

Strobies Flash Modifiers

Strobies Portrait Kit: Barndoors, Grid Spot, Snoot, Globe and Beauty Dish

Strobies Flash Modifiers

Interchangable Strobies Flex Mount Adapter

Strobies Beauty Dish

Strobies Beauty Dish

Strobies Flash Modifiers

Strobies Grid Spot

Strobies Flash Modifiers

Strobies Globe

Strobies Flash Modifiers

Strobies Snoot with Grid spots

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Profoto AcuteB 600

by Brian Smith on January 27, 2007

in Gear

When photographing celebrity portraits on location, we use lots of Profoto 7B 1200 w/s battery strobe packs. At times we rent as many as ten of them on our bigger shoots. It’s a great pack and practically bulletproof, the only drawback is that one of the thing that makes it bulletproof is that it’s powered by a sealed lead-acid motorcycle battery.

I just bought a Profoto AcuteB 600R pack for those times I didn’t need or want to lug a Profoto 7B on the road but a little shoe-mount flash like a Vivitar 283 just won’t do. Late last December, just a day after picking up one of the first production AcuteB 600R packs  in New York, I was flying down to the Caribbean for exactly the type of shoot I that was perfect for this tiny pack.

I wanted to be able to use an Elinchrom Octabank but I didn’t need to pump 1200 w/s through it. Most of my shoot was going to be available light but I shot one or two portraits each day without every running low on output or power.

COST: Profoto is always on the upper end of pricing (unless you’re a Broncolor user) and this is no exception. The list price is $1,950 for the AcuteB 600 pack and $2,185 for the AcuteB 600R with built-in Pocket Wizard receiver. I bought the R version. I don’t know if Profoto does the same thing in other countries, but MAC group in the US holds about 40 “One-Day Sales” a year where you can buy the stuff for 10% off (that’s what I did) so just ask them when the next event is coming up and have it shipped.

WEIGHT: The biggest advantage to the AcuteB 600 over the 7B is size & weight. While the 7B weighs in at a whopping 26 lbs, the AcuteB 600 weighs in at just over 10 lbs so it’s light enough that the shoulder stap it comes with won’t rip your shoulder off… The only disadvantage to this is as Peter suggested, you get a 2-fer with the 7B as it also becomes a 26 lb sandbag if you hang it from the stand. At 10 lbs, the AcuteB is pretty light in that regard.

SIZE: Same size as the original 600 Acute Packs 7.5 x 7.5 x 5″ (19x19x13 cm.) You can easily fit a pack, head and reflector into a Tenba 300/2.8 long lens bag which makes it easy to carry and small enough to even fit into the overhead compartment of many small planes.

HEADS: While the AcuteB head is made specifically for this pack and at the moment is the only head that allows you to use its 85 watt modeling light, Acute 2, Acute 2 twin heads, old-school Acute heads and will all work with this pack sans modeling light. There is an adapter called a “Profoto Adapter 85 W” that will be released at some future date that will allow you to replace Acute 250w modeling lights with a 85w, so you won’t have to buy a AcuteB head unless you really must need the modeling light.

TWIN HEAD: I also purchased an Acute Twin head for times that I’d want to combine two packs for 1200 w/s. Each pack has just a single flash socket, so a twin head makes the most sense when you plan to split it between two packs – however even just using one leg of the split flash cord will provide higher flash duration than the regular heads just not as much of a benefit as splitting power between two packs. Because of their shorter u-shaped flashtubes the Profoto bi-tubes have faster flash durations even when each leg is on full power. How much quicker that actually is I’d want to test. This isn’t not much of an issue in terms of flash syncs of 1/250 and below, but with a leaf-shutter on the Hasselblad H-series offering a 1/800 flash sync it may come in handy.

MODIFIERS: Though I’d much prefer that Profoto not have separate Pro and Acute series heads (this is because the Acute flash trigger voltage is 450w -vs- 900w on Pro-series) but at least they both use all the same modifiers, so any reflectors or banks you have for Pro 6 or Pro 7 will work with Acute.

FLASH DURATION: I did these tests with both Acute 2 and old-school Acute heads and got similar results. I doubt the duration is different in the AcuteB heads. Profoto lists the full power 600w/s flash duration as 1/1000th of a second, but they have always measured “peak-to-peak” duration which is much shorter than actual. Using a flash meter, the actual duration when using either an Acute 2 or older Acute head both appear to produce a flash duration of 1/350th of a second. This means that shooting at full power at 1/500th will clip about 1/2 stop of output and at 1/1000 you’ll clip a full stop of output, so if you need to shoot at 1/500 or higher, you might as well trim the pack to 1/2 power. There are two ways to cut the output of the heads. The first is a 3-position switch for Max, -4 (1/4 power) and -2 (1/2 power) this trims power without lowering the voltage, so going down to 1/2 power this way cuts flash duration to somewhere around 1/800th of a second and even going to 1/1000 of a second only clips 2/10ths of a stop. The second way is a click-stop dial that allows you to trim up to 2 stops in 1/8th stop increments. This is more accurate, but it appears this also trims the voltage so the flash duration doesn’t get cut back as much, so just remember if you want the fastest flash duration, trim the power as much as possible using the 3-position switch – not the dial.

BATTERIES: Listed by Profoto as good for 160 full power flashes. While extra 7B batteries weigh the same as the AcuteB Pack, extra Acute 600 batteries are just 4 pounds meaning you can throw in a few extras without adding a ton. Extra batteries with cassettes list for $225, but you can buy the batteries alone for $40 when the old ones wear down. I have two extra batteries on order, but they hadn’t shown up in time for the trip. Even so the one battery I took never dropped below 1/2 power. The battery slides in very smoothly from the side which is good. On most battery packs the battery is in the bottom of the pack, which I find always puts too much stress on the clips that hold it in place.

CHARGERS: Comes with a Profoto Charger 1A that charges the pack in 5 hours, but can also be used with a Profoto 7B Charger that will top off the pack in less than half the time. For best battery life, keep batteries on a charger all the time when you aren’t shooting.

CASES: At 26 lbs, 7B packs put a lot of stress on cases so I find myself repairing my Tenbas on a fairly regular basis. The same was true when I used Hensel Portys. But these packs are so light that you can probably get by with a lighter case for even more weight savings.

OVERVIEW: The AcuteB 600 isn’t as much a replacement for the 7B, but rather an option to it. If most of you gear is Acute and you work at lower power it may be the perfect pack to throw in with your A/C Acutes in case there’s no juice. I’ll probably keep using the 7B as a main light but take a pair of AcuteB 600Rs for back lights. It’s also perfect for little jobs where you hate to drag the big packs or for backlights if you typically use 600 w/s or less on those anyway. If you regularly push 1200 w/s through a bank, then a 7B is probably be more cost-effective.

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