Congrats to fellow Mizzou photojournalism alum, director Louie Psihoyos for his Oscar nomination and Directors Guild win for ‘The Cove’. As an old friend, I still remember Louie getting his film debut in a cameo as a news photographer in a Sylvester Stallone film in Dubuque, Iowa before going on to J-School…well look who’s invited to the Red Carpet this year…
I’m in New York attending the Tribeca Film Festival premiere of Barry Levinson’s film PoliWood with my friends from The Creative Coalition. The film both examines lobbying efforts by Hollywood celebrities as well as how the television media has changed since it’s origins as “profit” has overtaken “public service”.
Since I was working on the book Art and Soul as Levinson was editing his film, I was invited to a rough cut screening. Watching the transformation from rough cut to release is a fascinating process if you’ve never seen it. After the rough cut screening I was aked by Levinson and producers Robin Bronk and Robert Baruc, for suggestions about what they should change. I must say that I thought the idea of giving “notes” to the Oscar-winning director of Rainman may seem absurd. But what this taught me was that though Levinson might not have need a critique of camera angles, he clearly wanted to know how he could better communicate his message.
“Better Communication of Your Message” Can’t we all learn from that? If an Oscar-winning director like Barry Levinson wants to know how to communicate better, shouldn’t we all?
"PoliWood" world premiere at the Tribeca Film Festival.
"PoliWood" director Barry Levinson with Frank Luntz, Matthew Modine, Tim Daly, Josh Lucas, Wendy Malick and Ellen Burstyn at the Tribeca Film Festival world premiere.
"PoliWood" producers Robert Baruc, Robin Bronk, director Barry Levinson and producer Tim Daly at the "PoliWood" after-party.
Tim Daly and Brian Smith at the "PoliWood" after-party.
Pulitzer Prize-winning photographer Brian Smith has been creating bold, graphic portraits of celebrities, athletes and executives for magazines and advertising for more than 25 years. Smith's photographs of famous and infamous faces of the noteworthy and notorious have graced the covers and pages of hundreds of magazines.
Brian Smith's first magazine photograph appeared in LIFE Magazine when he was a 20-year-old journalism student at the University of Missouri. Just five years later, Smith won the Pulitzer Prize for Spot News Photography for his photographs of the Los Angeles Olympic Games. He was again a finalist for the Pulitzer for his photographs of Haiti in Turmoil. His photograph of Greg Louganis hitting his head on the diving board at the Seoul Olympics won first place in both World Press Photo and the Pictures of the Year competitions.
He's been featured on the cover of the Photo District News Portraiture Issue and in the Communication Arts Photography Annual, American Photo Magazine, After/Capture and Pop Photo magazines.
Smith is a Sony Artisan of Imagery and a X-Rite Coloratti and has appeared on Fine Living Channel teaching a Little League Mom how to become a Big League Sports Photographer. His photography career began as a high school swimmer clearly not destined for the Olympics in the pool, yet this provided him with the opportunity to photograph swimming and other sports as a stringer for the Ames Daily Tribune.
Smith is President of Editorial Photographers, an organization of 2,000 of the top magazine photographers and newspaper photojournalists from around the world. He is frequently a speaker at photography seminars and to photo students at colleges, universities and art institutes around the country and can often be found on a flight headed to the Caribbean, Latin America or the American South from his home in Miami Beach, Florida.