Gear

Sony 500/F4 G lens at WPPI 2012

by Brian Smith on February 20, 2012

in Gear

Sony Alpha Product Manager Kenta Honjo holds the new Sony 500/4 G Lens

Personally, I would have gone all Louis Vuitton on the case - can we talk Brian Smith Edition?

Here it is Sony users, at long last it’s here the Sony 500/F4 G lens for Sony A-mount SLT and DSLR cameras. This is one SWEET LENS! Great balance, all-hand assembled just like all G- Glass – its a beauty! Think of it as the Ferrari of Alpha lenses and for a Ferrari, $13,000 is practically a steal…

Here are the Factory Specs:

* Longest-ever focal length G Lens from Sony
* Nano AR Coating on optical surfaces for flawless still images and HD video
* Bright F4.0 aperture for superior light gathering
* Compatible with SteadyShot INSIDE featured in all α cameras
* New SSM drive circuit for quick, accurate autofocus
* Rugged dust- and moisture-resistant design: ideal partner for SLT-A77
* Enhanced handling and operability

Serious photographers can pull distant subjects closer with a powerful new 500mm (equivalent to 750mm with APS-C camera) super-telephoto lens from Sony.

The SAL500F40G is ideal for wildlife, sports and demanding imaging applications that require extreme magnification with un-compromised optical performance.

The SAL500F40G is the longest fixed focal length G Lens from Sony to date. Whether you’re shooting detail-packed stills or Full HD video, you’ll enjoy frame-filling close-ups with flawless resolution. With a bright F4.0 maximum aperture, its excellent light gathering power allows the use of faster shutter speeds to broaden shooting opportunities.

Inside, the advanced optical design of the SAL500F40G includes 11 elements in 10 groups, including three ED (Extra-low Dispersion) glass elements. It’s the first G Lens from Sony to feature an advanced new coating process that ensures crisper, clearer images. Exclusive to Sony, the ground-breaking Nano AR Coating process cuts internal reflections drastically. Resulting images are brilliantly crisp and clear, with dramatically reduced lens flare and ghosting. Flare is reduced still further by the carbon fibre lens hood that’s lined with black velvet fibres to absorb incident light.

The ruggedly-engineered SAL500F40G copes effortlessly with tough photo assignments. Focusing ring and front/rear joints are protected by interlocking seals that shrug off dust and moisture, even when you’re shooting outdoors in driving rain or arid desert conditions. This weather-resistant design makes the SAL500F40G a perfect partner for the SLT-A77 (α77) Translucent Mirror camera that offers serious photographers similarly rugged performance.

Like all other A-mount lenses, the SAL500F40G is compatible with the SteadyShot INSIDE image stabilisation system that’s featured in every α Translucent Mirror and DSLR camera from Sony. Depending on shooting conditions, camera model and settings, you’ll enjoy camera-shake blur compensation that’s equivalent to approximately 4.5 stops (max.) in shutter speed.

In a year that is filled with major sporting events, the razor-sharp autofocus performance of the SAL500F40G makes it ideal for capturing the true essence of athletic emotion as the worlds’ eyes look on. Complemented by α systems that deliver up to 12 frames per second (fps) stills shooting and 50 fps in full HD video mode, wildlife photographers now have the tools to capture and share every nuance of their chosen subject.

The high-torque SSM (Super Sonic wave Motor) features a new drive circuit, ensures rapid, responsive AF with significantly faster object tracking than conventional Sony lenses.

Serious enthusiasts will also welcome a strong emphasis on enhanced handling and ergonomics. Four focus hold buttons are spaced around the lens barrel for easy operation in any position. They’re complemented by a two-way DMF (Direct Manual Focus) mode button and focus range switch for slick operation when you’re shooting under pressure.

Built to order, the SAL500F40G super-telephoto lens from Sony is available beginning April 2012.

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Tour the Eastman House’s Vintage Camera Warehouse

by Brian Smith on February 5, 2012

in Gear

The George Eastman House in Rochester, NY is the world’s oldest museum dedicated to photography. Curator Todd Gustavson wrote Camera: A History of Photography from Daguerreotype to Digital with the history of photography shown paired with the museum’s gigantic collection of historical camera . This behind-the-scenes video with Gustavson gives a glimpse into their massive warehouse housing their one-of-a-kind collection and a brief tour of some legendary cameras.

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iLeica this iPhone Concept Camera

by Brian Smith on December 23, 2011

in Gear

iGotta say iLeica this i9 Concept Camera from Black Design Associates. Way cool way to trick out iPhone Photography… Make it happen!

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COOL GEAR: Lowepro Pro Messenger Camera Bags

by Brian Smith on November 22, 2011

in Gear

Nothing beats updating a classic, so I love how Lowepro’s new Pro Messenger AW bags were able to create old school classic canvas feel from the latest space age spun polyester slate gray fabric – which is total 007 stuff like a great grey flannel suit that’s also bullet-proof…

I’m rolling the Pro Messenger 200 AW (I.D. 15.4W X 6.3D X 9.4H inches) discreet like a messenger satchel yet big enough to hold all this stuff:


IN THE BAG:
SONY a900
SONY CZ 85/1.4
SONY NEX-5N
SLR MAGIC HyperPrime 50mm f/0.95 Lens for Sony E-Mount
SONY a77 with 16-50/2.8
SONY ECMSST1 Compact Stereo Microphone for NEX
LENSBABY Composer Pro w/Sweet 35 Optic for Sony
CF & SD Cards in Cases
Extra batteries and chargers for Sony Alpha and NEX
iPAD loaded with my book ART&SOUL

Other bags in the lineup include the taller narrower Pro Messenger 180 AW (I.D.10.6W X 6.3D X 12H inches)which is perfect if you want to slip a body with a 70-200/2.8 zoom.

There’s also the ever-so-discreet Pro Messenger 160 AW (I.D. 10.6W X 6.3D X 9.4H inches) perfect for the latest compact digital cameras or when you just need a bag big enough for a body and a lens or two.

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ASK BRIAN: Using Pocket Wizards on Sony Alpha?

by Brian Smith on March 8, 2011

in Gear

Q: Hi Brian, First time I met a pro working with a900 Sony Body. I own one too and happy with it. Just might be a little bad when in low light … I saw your using PW, which one are u using and How do you connect both body and flash ? What about Elinchrom ?
asked by danysimon

A: Yes Dany, I’m using PocketWizard Plus II Transceivers with my Sony a900. All you need is an adapter like the Sony FA-HS1AM Hot Shoe Adapter to convert the Sony shoe to standard. Many of the Profoto strobe packs I use have built in PocketWizard circuitry . I trigger the packs that don’t using a PocketWizard Plus II Transceiver with PocketWizard Miniphone to Monoplug cord.

 

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Getting the VIP Treatment from B&H Photo

by Brian Smith on November 8, 2010

in Gear

Thanks to Isaac Buchinger and Gary Goodman for giving me a VIP Tour of B&H Photo. Though I’ve ordered gear from B&H for the past two decades, Isaac and Gary managed to provide some surprises like their soundproof room for testing microphones and  a glimpse of the massive 70,000 sq foot warehouse under the store which is dwarfed by their One Million Square Foot (Whoa!) Warehouse in the Brooklyn Navy Yard. Possibly the Biggest surprise was discovering that B&H Photo began with Herman Schreiber’s small storefront on Warren Street…just down the street from my New York apartment. Hmmm…wouldn’t that be convenient…

Rollin through B & H Photo VIP-style with B&H Disco Kings Gary Goodman and Isaac Buchinger

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Just the thing for our ROBUST Economy a $30,000 Leica M9

by Brian Smith on September 25, 2010

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Finally some big news out of Photokina, where Leica announced the Walter de’Silva-designed Leica M9 Titanium edition camera. De’Silva, head of design for Volkswagen and responsible for designing the Audi A5 and Volkswagen Scirocco, took Leica’s original M9 camera and created the M9 Titanium. De’Silva’s Audi design team proved they were up to the challenge of designing a camera that sold for more than some of their cars.

The M9 Titanium goes on sale in November for an estimated $30,897. Despite the fact that photographers around the world have been clamoring for a $30K camera that’s far too pretty to use, Leica will only sell 500 copies of the special edition camera which includes a Leica’s Summilux-M 35mm f/1.4 aspherical lens in matching solid titanium exterior.

The $30,000 Leica M9 Titanium Camera

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COOL GEAR: Profoto ProDaylight HMI is BACK!

by Brian Smith on September 21, 2010

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Profoto is finally bringing HMIs back into their line-up with the announcement of the ProDaylight 400 Air and ProDaylight 800 Air, Metal Halide based continuous light sources, dedicated to work with most of the existing line of Profoto’s Light Shaping Tools. The powerful Metal Halide lamp provides daylight or color temperature, ideal for photo and video shoots.

Sideview of the new Profoto Pro Daylight HMI

Sideview of the new Profoto Pro Daylight HMI

The new Profoto ProDaylight HMI with zoom reflector

The new Profoto ProDaylight HMI with Profoto zoom reflector

Profoto ProDaylight HMI Flicker-free Ballast

Profoto ProDaylight HMI Flicker-free Ballast

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Schneider-Kreuznach new tilt-shift lenses at Photokina 2010

by Brian Smith on September 17, 2010

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Schneider-Kreuznach is launching new tilt-shift lenses for digital single-lens reflex cameras with full-frame image sensor: Super-Angulon 2.8/50 mm HM and Makro-Symmar 4.0/90 mm HM in mounts for Sony A-Mount, Nikon, Canon and Pentax K-Mount at Photokina 2010. A third T/S lens the  APO-Digitar 5.6/120 mm HM Aspheric will be available for Mamiya/Phase One medium-format systems.

Schneider 50mm/2.8 PC-TS Super-Angulon is a great lens for architectural photography

Schneider 50mm/2.8 PC-TS Super-Angulon

Schneider 90mm/4.0 PC-TS Makro-Symmar is a great lens for portrait and architectural photography

Schneider 90mm/4.0 PC-TS Makro-Symmar

Put me on the list for the 50mm/2.8 PC-TS. I love the look of a normal lens with some tilt to throw the plane of focus and you know that Schneider glass will be SWEET!

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COOL GEAR: NEX, NEXBABY

by Brian Smith on September 8, 2010

in Gear

One of the truly cool things I love about the Sony NEX cameras is their adaptability to many different lenses. One of the very easy adaptations is using the Sony NEX to Alpha mount adapter to pop an Alpha-mount Lensbaby Composer on the Sony NEX-5 camera for a very compact camera that lets your vision run wild…Sony Nex-5 with a Lensbaby Composer lens for Plastic Camera lookIconic New York image of Lady Liberty photographed with a Sony Nex-5 and Lensbaby Landmark New York City Flatiron Building photographed with a Sony Nex-5 and Lensbaby

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